If  you don’t already know…DEADPOOL is awesome. While often confused with, the not as cool, Spiderman…he is not Spidey. DEADPOOL is awesome.

Via Wikipedia: Deadpool is a disfigured and mentally unstable mercenary with the superhuman ability of an accelerated healing factor. He is known as the “Merc with a Mouth” because of his talkative nature and tendency to break the fourth wall, which is used by writers to humorous effect.

 

This fangirl is totally excited about the movie and if you are not… I will be personally offended … (Just kidding… maybe…) When I messaged Michelle about possibly working with me on this shoot – which I may have done while on a cappuccino buzz and bouncing like a toddler with to many gummi bears- I was freaking excited. Michelle was all for it.

Michelle is who brought on Rebecca as our model. Let me tell you, this girl, she is amazing. They both humored me as I ranted about DEADPOOL and made then watch clips release from the movie…coming out next year. It just made me <3 them even more.

DEADPOOL
Body Painting: Michelle Syfert Weis
Model: Rebecca Taylor Flint
Photography: Me / Photographs Humans Shoot
Date: April 4th, 2015  

Deadpool-113 This is Rebecca’s face… it will be the only one in this post you see. We were meanies and made her wear the DEADPOOL mask the entire shoot.

Websize-Deadpool-19bw-

Michelle at work doing the base to Rebecca’s Deadpool attire.

 

 

Deadpool-224 Fun Facts: Body Paint took 6+ hours, of which Rebecca had to stand or lean the whole time.

Gear Used

Camera and Lens: Nikon D810, 24-70MM

Lighting: Photek 60″  Umbrella (BUY @ OutdoorPhotoGear.com ) Photography Umbrella type Softbox 24″ x 36″ (This thing is perfect for a flat light to separate the subject from the background…its simple CHEAP and effective. BUY @ Amazon.com)

 

\pruh-jek-shuh n\ A Series

 

LOGO2There are many ways to look at this. We can look at is as we as artist like to project what we want on the world. Project our ideas and thoughts in to our work. It is our view. Right now I am feeling very “Artsy Fartsy” and wish there was some super huge message in this series.

 

When really. I just wanted to take travel photos that I have shot and put them into my Creative Model work. That’s it. This style and concept has been done many many times, but I wanted to be able to tie this in further. Make it personal.

 

With the help of some pretty awesome people this finally came all together. Originally I wanted this to be a nudes series. It was super difficult to find willing models and well after much frustration I gave up. This series probably would have turned out much different had I gone that route. Almost a year later I had worked with Genna Yussman Greene, she is a very talented designer. I just adore everything about her. It took me a bit to get the courage up and ask her if she had a white outfit for me to shoot this. She ended up graciously providing me three outfits, pretty much no questions asked.

 

After I received the clothes I decided it would be awesome (That is todays word. AWESOME.) to separate them out into three different shoots. Three different looks. Three different models.

 

First was Kesley in the funky tasseled dress. She was really the true test subject. I had no clue what I was doing. I would actually bring up the image in photoshop on top of Kesley and photoshop white over her face to allow for more of the projectors light to make it way to her face. I had to find the balance between the projector and loosing her features and making her blend in.

Released-3-Kesley

Wardrobe – Construction and Design: Genna Yussman

Model: Kesley Moorefield

Hair & Makeup: Brandy Doyle & Lindsey Armstrong

Photography: Photographs Humans – Jami Guess

Projection-SERIES-RELEASE-003-(Sheet-3)

The images seen projected on to Kesley are: (Left to right)
Door with Metal Studs – Tallinn, Estonia
Tile Fountain – Convention Center Hopkinsville, KY
Destroyed Building – NOLA
Corn…Evil Corn – Wright Farms

 

 

 

 

Rebecca’s  shoot was scheduled next and we had a dress with a train. I love dresses with attachments and things to play with and …. we played. Rebecca always humors me and we have a blast. There were many times that I just looked confused. We found out that some dark images looked weird when projected. Also after the first I learned my camera would actually capture the color change as it happened. So I took multiple pictures of every pose to ensure I wouldn’t end up with a green face.

Release-4-Rebecca

Wardrobe – Construction and Design: Genna Yussman

Model: Rebecca Denfip

Photography: Photographs Humans – Jami Guess

 

 The images seen projected on to Rebecca are: (Left to right) Wall with Ovals – Downtown Louisville, Kentucky Escalator- Convention Center in Atlanta During the Great Ice Storm (Tells you how bored I was... Look and escalator!) Clouds and Land Scape – Guess Farm Princeton, Kentucky Inner area of the Eiffel Tower – Paris, France.


The images seen projected on to Rebecca are: (Left to right)
Wall with Ovals – Downtown Louisville, Kentucky
Escalator- Convention Center in Atlanta During the Great Ice Storm (Tells you how bored I was… Look and escalator!)
Clouds and Land Scape – Guess Farm Princeton, Kentucky
Inner area of the Eiffel Tower – Paris, France.

 

 

During Seteena’s shoot we decided she has magic hair, it literally will do anything and she is just as awesome as her magic hair! I adore her. She was willing to do anything. This shoot really looks like it is easy, but in fact it is rough on the body. Having to hold positions while I worked in photoshop to lighten and edit areas of the images, while the model has to stand there. My ADD alone wouldn’t allow for that!

Release-1-Seteena-Project

 

Wardrobe – Construction and Design: Genna Yussman

Model: Seteena Leigh

Hair & Makeup: Jessie Alagna

Photography: Photographs Humans – Jami Guess

The images seen projected on to Seteena are: (Left to right) River Landscape -Dinosaur National Park, Utah Lower portion of destroyed building. – NOLA River Landscape -Dinosaur National Park, Utah Random Window Vover- Tallinn, Estonia Docks – Honolulu, Hawaii

The images seen projected on to Seteena are: (Left to right)
River Landscape -Dinosaur National Park, Utah
Docks – Honolulu, Hawaii
Lower portion of destroyed building. – NOLA
Random Window Cover- Tallinn, Estonia

 

 

 

Lighting – Projector & on select images the Westcott Rapid Box

Camera – d700 w/ 24-70 2.8

Location – My Living Room, dodging cats and dogs…. (See cat below.)

projector-series-rebecca-gennadress-1

Lady Of the Sea • LOUISVILLE BASED CONCEPT ART PHOTOGRAPHER

LOGO
-Team Credits of Awesomeness-

Costume Construction & Concept • Genna Yussman
Body Paint • Michelle Syfert Weis
Model • Ashley Vega
Photography • Photographs Humans – Jami Guess
Location • Sunny Acres Farm. Louisville, Kentucky

•••••••••••••••••••

 This shoot was a long time in planning. Genna had asked me awhile back to shoot her “Lady of the Sea” dress. You may recognize it, as it won a ribbon in a textile category in the Kentucky State Fair. 

Our scheduling had it’s own demons…. demons called weather. It seemed no matter how hard we tried, we always ended up rescheduling for the cold temperatures or down right ice and snow. I wanted the grounds to be mostly brown and dead to give it a dark feel. We originally wanted to do it late fall/early winter. I reaaaaallllly wanted the set/location to look dead to give the scene a dead sea/dark lagoon feel, so a bright springy day would not give me what I was seeing in my mind. 

In March we finally had our opportunity! It worked well enough, thanks to Kentucky’s weird weather I had enough lack of growth to pull off the look I wanted for the shoot.

Usually I go into a shoot with a vague idea of what I want the final images to look like. For Lady of the Sea  I had an exact outcome I wanted to achieve. I wanted a book cover. Yep, a book cover. Science fiction at sea. I wanted it to feel purple. Don’t ask me what purple feels like…moody maybe?

 I have had this spot on the farm that I wanted to use for years, the theme/feel of the shoot never was appropriate and well, the growth was to much. For our shoot, I kept thinking I can make this look like an edge of a cliff and put water in and make it look like a lookout over a sea, dark and creepy. I wasn’t even sure I could pull it off in post editing. I had hoped.

 Along the way we may have broken a few – Maaaybe.. “most” of the head height…- branches so that we didn’t have to worry about them getting caught up in Ashley’s hair, but it worked out perfect

Most of my clients know I am a bit all over the place during sessions -like this blog- and typically I am like that when we shoot.

There is a lot of this:

BTS-1

Brandy styling Ashley’s hair.

 and this:

BTS-2

Sitting, waiting, more sitting and chatting.

When we do finally get to the location, we had to walk through the fields, due to the ground being so wet that cars would have gotten stuck, there was  a bunch of time used getting the spot right and discussing where not to step.

BTS-3

You can see me standing on the edge here. Eric took the photo. I was thinking “How close can I get her to the edge, keeping it safe, while not blocking her with dead growth?”

  

Then the actual magic happens. Lots of me looking confused and running back and forth. I like to use as little gear as possible. At most we had two speed-lights on stands as well as a  little…. natural light. Variety is key for on location, and lighter gear makes it easier to move about!

Final-1

This shot is actually full natural light with a massive amount of editing.
70-200 mm 2.8 @ 70mm

Final-2

This has one light over head slightly to the right of the subject. I used the Westcott Rapid Box for this image and it worked wonderfully.
70-200 mm 2.8 @ 86mm

 Gear Used During this Shoot:

Camera: D700
Lens: 24-70 2.8 (Behind the Scenes) & 70-200 2.8 (All on location.)
Lighting : SB800 mounted in the Westcott Rapid Box Thingy & SB900 randomly.