If  you don’t already know…DEADPOOL is awesome. While often confused with, the not as cool, Spiderman…he is not Spidey. DEADPOOL is awesome.

Via Wikipedia: Deadpool is a disfigured and mentally unstable mercenary with the superhuman ability of an accelerated healing factor. He is known as the “Merc with a Mouth” because of his talkative nature and tendency to break the fourth wall, which is used by writers to humorous effect.

 

This fangirl is totally excited about the movie and if you are not… I will be personally offended … (Just kidding… maybe…) When I messaged Michelle about possibly working with me on this shoot – which I may have done while on a cappuccino buzz and bouncing like a toddler with to many gummi bears- I was freaking excited. Michelle was all for it.

Michelle is who brought on Rebecca as our model. Let me tell you, this girl, she is amazing. They both humored me as I ranted about DEADPOOL and made then watch clips release from the movie…coming out next year. It just made me <3 them even more.

DEADPOOL
Body Painting: Michelle Syfert Weis
Model: Rebecca Taylor Flint
Photography: Me / Photographs Humans Shoot
Date: April 4th, 2015  

Deadpool-113 This is Rebecca’s face… it will be the only one in this post you see. We were meanies and made her wear the DEADPOOL mask the entire shoot.

Websize-Deadpool-19bw-

Michelle at work doing the base to Rebecca’s Deadpool attire.

 

 

Deadpool-224 Fun Facts: Body Paint took 6+ hours, of which Rebecca had to stand or lean the whole time.

Gear Used

Camera and Lens: Nikon D810, 24-70MM

Lighting: Photek 60″  Umbrella (BUY @ OutdoorPhotoGear.com ) Photography Umbrella type Softbox 24″ x 36″ (This thing is perfect for a flat light to separate the subject from the background…its simple CHEAP and effective. BUY @ Amazon.com)

 

::Snarky Holiday Greeting Here::

 

Deadpool-93

–Deadpool or as I like to call her “Bunnypool”-
Amazeballs Body Paint: Michelle Syfert Weis
Model: Rebecca Taylor Flint
Photography: Jami Guess / Photographs Humans
Shoot Date: April 4th, 2015

Fun Aside: These are the same ears made by Corey Elmore, used in the Alice in Wonderland shoot from 2010.

Lady Of the Sea • LOUISVILLE BASED CONCEPT ART PHOTOGRAPHER

LOGO
-Team Credits of Awesomeness-

Costume Construction & Concept • Genna Yussman
Body Paint • Michelle Syfert Weis
Model • Ashley Vega
Photography • Photographs Humans – Jami Guess
Location • Sunny Acres Farm. Louisville, Kentucky

•••••••••••••••••••

 This shoot was a long time in planning. Genna had asked me awhile back to shoot her “Lady of the Sea” dress. You may recognize it, as it won a ribbon in a textile category in the Kentucky State Fair. 

Our scheduling had it’s own demons…. demons called weather. It seemed no matter how hard we tried, we always ended up rescheduling for the cold temperatures or down right ice and snow. I wanted the grounds to be mostly brown and dead to give it a dark feel. We originally wanted to do it late fall/early winter. I reaaaaallllly wanted the set/location to look dead to give the scene a dead sea/dark lagoon feel, so a bright springy day would not give me what I was seeing in my mind. 

In March we finally had our opportunity! It worked well enough, thanks to Kentucky’s weird weather I had enough lack of growth to pull off the look I wanted for the shoot.

Usually I go into a shoot with a vague idea of what I want the final images to look like. For Lady of the Sea  I had an exact outcome I wanted to achieve. I wanted a book cover. Yep, a book cover. Science fiction at sea. I wanted it to feel purple. Don’t ask me what purple feels like…moody maybe?

 I have had this spot on the farm that I wanted to use for years, the theme/feel of the shoot never was appropriate and well, the growth was to much. For our shoot, I kept thinking I can make this look like an edge of a cliff and put water in and make it look like a lookout over a sea, dark and creepy. I wasn’t even sure I could pull it off in post editing. I had hoped.

 Along the way we may have broken a few – Maaaybe.. “most” of the head height…- branches so that we didn’t have to worry about them getting caught up in Ashley’s hair, but it worked out perfect

Most of my clients know I am a bit all over the place during sessions -like this blog- and typically I am like that when we shoot.

There is a lot of this:

BTS-1

Brandy styling Ashley’s hair.

 and this:

BTS-2

Sitting, waiting, more sitting and chatting.

When we do finally get to the location, we had to walk through the fields, due to the ground being so wet that cars would have gotten stuck, there was  a bunch of time used getting the spot right and discussing where not to step.

BTS-3

You can see me standing on the edge here. Eric took the photo. I was thinking “How close can I get her to the edge, keeping it safe, while not blocking her with dead growth?”

  

Then the actual magic happens. Lots of me looking confused and running back and forth. I like to use as little gear as possible. At most we had two speed-lights on stands as well as a  little…. natural light. Variety is key for on location, and lighter gear makes it easier to move about!

Final-1

This shot is actually full natural light with a massive amount of editing.
70-200 mm 2.8 @ 70mm

Final-2

This has one light over head slightly to the right of the subject. I used the Westcott Rapid Box for this image and it worked wonderfully.
70-200 mm 2.8 @ 86mm

 Gear Used During this Shoot:

Camera: D700
Lens: 24-70 2.8 (Behind the Scenes) & 70-200 2.8 (All on location.)
Lighting : SB800 mounted in the Westcott Rapid Box Thingy & SB900 randomly.